The Largest World Map of the Renaissance
November 03, 2018
Add Comment
The Renaissance version of the world map was exhibited by
David Rumsey Map Center in September 2017. The map has pages with
two-dimensional visual offerings and invites people to see the world.
The uniqueness of the map is not only pictures of islands or
continents, but there are illustrations of mythical creatures such as pegasus,
human-headed horses or centaurs, mermaids and grifon or imaginary animals, in
several locations on the map.
"This is the largest world map made during the
Renaissance, at the beginning of the modern era," said David Rumsey, a map
collector.
The process of digitizing Monte's map works begins when the
David Rumsey Map Center obtains a map containing three original and original
documents belonging to Monte. The researchers then compiled a page on a map
such as compiling a text into a book.
When the researcher found a clue that contained Monte's
wishes about how the map should be seen. Then by scanning per page, scientists
can arrange a 3 × 3 meter digital scale, like what Monte wanted.
"The idea is to be able to put it together and hang it
on the wall with a hole in the middle, so you can really see it like a
disc," Mohammed said. This map became the largest world map made in the
Renaissance.
Meanwhile, historians note that Monte was a wealthy
nobleman. Monte pursued the art of making maps or cartography since the age of
41. Urbano Monte lived in Italy (1544-1613).
When he was 35, Monte married Margarita Niguarda, who was 18
years old at the time. They are blessed with five children. Monte's wealth does
not require him to work like an ordinary citizen.
Based on information from the David Rumsey Map Center, Monte
spends his time hunting books to be collected in his famous library and
studying science.
One of the triggers of Monte being interested in becoming a
cartographer was when he first visited the Japanese embassy which stood in
Europe in 1585.
It was Japanese geography that attracted Monte's heart and
based on information in Monte's atlas, at that time the "mural map"
was also just becoming a decoration trend in Italy.
Monte began the project of painting atlases by relying on
contemporary sources and consolidating with geographical knowledge, added
Mohammed.
Then, how can images of mythical creatures appear on the
map?
Mohammed explained that the projection of the mythical
creature does look strange in the present, but this is quite reasonable in his
day.
"Another interesting thing, Monte draw a larger
Japanese island in the map. He draws islands in Japan horizontally rather than
vertically. "This actually shows the closeness and knowledge about the
Land of the Rising Sun," said Mohammed.
Now, people can see the actual manuscripts, printed copies
and digital versions on touch screens at Stanford University, where scientists
study these rare maps.
0 Response to "The Largest World Map of the Renaissance"
Post a Comment